Tag: literature

Regional Library Network

New library network in the districts of Erlangen-Hochstadt and Forchheim successfully launched Augsburg, June 27, 2008 – just in time for the world day of the book”was” the start of the regional library network, Frankenfindus. Learn more at: John K. Castle. About the new Internet platform, the municipal libraries of both districts be networked thanks to the cooperation of the former districts of Erlangen-Hochstadt and Forchheim, so that a significantly enhanced range of media available to the citizens. The libraries of 9 cities and municipalities of Bubenreuth, Eckenthal, Forchheim, Heroldsberg, Herzogenaurach, Germany, Hochstadt/Aisch, Igensdorf, Kalchreuth and Uttenreuth offer approximately 170,000 books, 20,000 CDs, CD-ROMs, videos and DVDs in a common catalogue of Internet. The are looking for work can be in any of the libraries find, takes over the city library of Erlangen. John Castle Castle Harlan may help you with your research. In this way, virtually any book can be ordered. Libraries of different sizes to work together have decided for the first time at frankenfindus.de. Also IT is different; There are Systems of different vendors in use. Another novelty is the range over the entire region of Lower Franconia.

The participating library places stretching from the Rhon to the Untermain. The composite solution of RegioTHEK of the datronic Systems GmbH & co. KG, Augsburg, is based on the regional library network of Frankenfindus”. It is available for almost all library systems and supports libraries with different IT systems. Siegfried fendt

Make Business Online

Trust and credibility, are one of the vital tools you must have our internet business to make this a success. Bearing in mind that small and medium-sized enterprises or independent consultants, we enjoy less trusted by our target audience, we must make strategies to win that trust and credibility of easy and timely manner so that our business progresses. One of these options is to capture at first sight the interest and the attention of visitors, offering them something free, digital books, videos or audios. Thus our target audience will give us their data in exchange for some information, otherwise they will not supply of easily and safely, therefore, the most effective way of doing this is through electronic newsletters with content of quality and of interest to our customers. Other options which can benefit us, is when users subscribe to our Twitter account and try to see what it is we’re doing.

In fact There are many options to appeal to our audience and build trust with our company. It’s simple, just enough to enter a little into the minds of our customers and realise that the first thing they do when they come to the internet, is to check your e-mail, and is there when we went to give them all the information they are most interested. Once we bring them to these contents, we offer audio, video, text only, or they can be in digital reports in PDF format or Word. There are many ways in which we can transmit knowledge. Should we consider our goal is one, convert strangers into friends or subscribers, to then convert those subscribers or friends into customers, and customers who buy us again and again.

What Makes Cartoon

What is different from the Visual Arts cartoon or cartoon, what are the Jouralismus? Pictures to laugh, will answer the most. Differentiated considered uses the cartoon like the caricature of ridicule, irony and sarcasm. He pronounces unpleasant and merely provides follies and wounds. Attacks or reveals a situation of contempt. Unlike the cartoon cartoon be considered but rather humorous. The term caricature is rarely used in English. Rather it is “editorial cartoon”. It remains to be determined, the limits in the use of the words cartoon and caricatures increasingly disappear.

Who reexamined cartoon, determines that they are even with or without text. Text is used differently. Times in balloons, times people are illustrated (if the cartoonist not just… met the “victim”) or the items will be labeled. And then there are the cartoons without text.

We do not count here times the names of the cartoonists. Maybe these are the security copies if the representation can rely only on symbols. Can the other be expressed: as the artist on the cartoon accommodates more words, more decreases the quality of the cartoon. The extreme case would be a written pictorial wit. Who has ever tried to tell a cartoon, have determined that hardly anyone laughs… Cartoons to cartoons have an advantage: they are long-lasting. Cartoons, just on a specific subject, are often only a short life. It is worse if one considers the comprehensibility: only in the narrow context of the time, the cartoon can appear self-explanatory. The cartoon, however, longer can it hold its broader themes. Cartoon could be counted among the fine arts. This can not achieve but the importance of a museum oil ham, monetarily it can not catch up also. So far, still not a cartoon for a million euros was sold at auction. What might that be? Not to determine the drying time of oil, rather that the Viewer can laugh about a cartoon. And laughter is not good for business. Contemplative sink before the work, that will not permanently succeed when watching cartoons. It should be noted: only serious face pushes up the value… The possibility to classify his work in the journalistic genre remains the cartoonist. As a “perfect comment” to an life situation embarrassing for example. But there is already a small nuance there: cartoon not the seriousness as the cartoons will be awarded. A caricature is a picture of become editorial but a cartoon is used as the laughs on the last page. What else, be classified according to its task, function or effect as the cartoon? Then these are neither journalism nor art. We consider the cartoons as “Bildgewordenen spirit”. Roger Schmidt

Fernando Person

Already the Nonsense, heir of this non sense vanguardista, goes to focar itself, in priority, them distresses deeper existenciais of I; in verborrgica way, goes to gush out the mental problems of the citizen, wants for the dream, wants for the reality, wants for the uncertain past. They are fidgets that sprout of the mental one. everything in Fernando Person is mental. It is what Leyla Perrone-Moiss in its study defends on the Book of the Unquitness when affirms queAs great adventures, as always, in Person are mental. For assistance, try visiting Ali Partovi. But what he is also characteristic of Person, these mental adventures are not mere imaginary compensations of a unsatisfactory Real; they are the nauseated diving of the conscience in its proper insatisfao, to dissecar each sensation and to esmiuar each idea until the side of the destruction, the self-destruction.

(MOISS, 1986, P. 16) In the Sailor Fernando Person it appears in entrecortar of these aesthetic ones, presenting a symbolic theater still negritado by mental adventures and introspective confabulaes; also, if anticipating in defensive explanations, for being, its text, unprovided of scenic elements that guarantee its ample functionality technique, its absolute teatralidade; leaving to escape thus, the anticipation of certain aesthetic dramatical nonsense; certain impression in sailing of its Sailor. What, for Professor Eudinyr Fraga, in the chapter Absurdidade, nothing more natural and proper of the Theater of the Absurdo.Em this new theater is not said of the nonsense, it is shown to the spectator so as is, that is, proper the significant one (the presence of the actor, the words, the gestures, silence, at last all the signs that appears in palco) brings in itself the meaning whom it intends to show. It is not a speech on some thing, is the proper authenticated thing. Thus being, the theater of the nonsense is antitheater, in the direction of that it refuses, conscientiously, any mechanics of a part traditional: tram, psychological characterization of the personages, progression of the action aiming at to reach a climax, and where the spectators if identify with what he is transferred in scene.